| Beschlaschim Weshtaim |
 |
 |
 |
 |
 |
|
|
|
|
 |
|
 |
| 40 |
10 |
400 |
300 |
6 |
|
40 |
10 |
300 |
30 |
300 |
2 |
| 756 |
|
682 |
| Gematria: 1468 |
As in Genesis, Bereshyt, the Sepher Yetsira (Sefer Yetzirah) begins with Bayt. This grounds us in the realm of real
physical frameworks for Aleph, Intemporal Consciousness. The Sepher Yetsira is both a commentary
on Bereshyt and an exploration of it from the inside-out, by beginning with the Autiot.
However, let us establish the fundamental role of Sheen, from the beginning, and note that
the sign is written twice in the first line of Beresheet, three times in the first line of the
Yetsira (Yetzirah) and four times in the first line of The Song of Songs; these are three
ways of approaching the same subject, which it is up to the reader to understand.
Suares, Sepher Yetsira (Yetzirah), p.60
|
Note that the first Sheen (agent of Aleph, and therefore of cosmic origin) acts through Lammed as agent of Aleph,
and that second Sheen, put in motion by Lammed, acts on the extant Yod. The third Sheen is introduced
into Shtaim by the fertisisation of Mem by Waw; it acts on Tav and completes the ciruit. These indications
are sufficient to define the intellectual significance of the Qabala. It takes into consideration all energy
and consiousness, which is energy, as returning to itself in a process of self-induction, and not at all a single
emanation originating from demiurgic creation, as the
monotheistic tradition has it.
Suares, Sepher Yetsira (Yetzirah), p.60
|
See: Bereshyt
|
